Fragments, Chapter 9, pp.188-193 - Reading Club posting 34
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Conscious effort. "Self-remembering." Resulting development of impressions and air octaves. A second conscious shock. Effort connected with emotions Preparation for this effort. Analogy between the human organism and the universe. Three stages in the evolution of the human machine. Transmutation of the emotions. Alchemy.
"It has been explained before that in ordinary conditions of life we do not remember ourselves; we do not remember, that is, we do not feel ourselves, are not aware of ourselves at the moment of a perception, of an emotion, of a thought or of an action. If a man understands this and tries to remember himself, every impression he receives while remembering himself will, so to speak, be doubled. In an ordinary psychic state I simply look at a street. But if I remember myself, I do not simply look at the street; I feel that I am looking, as though saying to myself: 'I am looking.' Instead of one impression of the street there are two impressions, one of the street and another of myself looking at it. This second impression, produced by the fact of my remembering myself, is the 'additional shock.' Moreover, it very often happens that the additional sensation connected with self-remembering brings with it an element of emotion, that is, the work of the machine attracts a certain amount of 'carbon' 12 to the place in question. Efforts to remember oneself, observation of oneself at the moment of receiving an impression, observation of one's impressions at the moment of receiving them, registering, so to speak, the reception of impressions and the simultaneous defining of the impressions received, all this taken together doubles the intensity of the impressions and carries do 48 to re 24. At the same time the effort connected with the transition of one note to another and the passage of 48 itself to 24 enables do 48 of the third octave to come into contact with mi 48 of the second octave and to give this note the requisite amount of energy necessary for the transition of mi to fa. In this way the 'shock' given to do 48 extends also to mi 48 and enables the second octave to develop.
"Mi 48 passes to fa 24; fa 24 passes to sol 12; sol 12 passes to la 6. La 6 is the highest matter produced by the organism from air, that is, from the second kind of food. This however is obtained only by making a conscious effort at the moment an impression is received. (See Fig. 37.)
"It is necessary to understand what this means. We all breathe the same air. Apart from the elements known to our science the air contains a great number of substances unknown to science, indefinable for it and inaccessible to its observation. But exact analysis is possible both of the air inhaled and of the air exhaled. This exact analysis shows that although
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the air inhaled by different people is exactly the same, the air exhaled is quite different. Let us suppose that the air we breathe is composed of twenty different elements unknown to our science. A certain number of these elements are absorbed by every man when he breathes. Let us suppose that five of these elements are always absorbed. Consequently the air exhaled by every man is composed of fifteen elements; five of them have gone to feeding the organism. But some people exhale not fifteen but only ten elements, that is to say, they absorb five elements more. These five elements are higher 'hydrogens.' These higher 'hydrogens' are present in every small particle of air 'we inhale. By inhaling air we introduce these higher 'hydrogens' into ourselves, but if our organism does not know how to extract them out of the particles of air, and retain them, they are exhaled back into the air. If the organism is able to extract and retain them, they remain in it. In this way we all breathe the same air but we extract different substances from it. Some extract more, others less.
"In order to extract more, it is necessary to have in our organism a certain quantity of corresponding fine substances. Then the fine substances contained in the organism act like a magnet on the fine substances contained in the inhaled air. We come again to the old alchemical law: 'In order to make gold, it is first of all necessary to have a certain quantity of real gold.' 'If no gold whatever is possessed, there is no means whatever of making it.'
"The whole of alchemy is nothing but an allegorical description of the human factory and its work of transforming base metals (coarse substances) into precious ones (fine substances).
"We have followed the development of two octaves. The third octave, that is, the octave of impressions, begins through a conscious effort. Do 48 passes to re 24; re 24 passes to mi 12. At this point the development of the octave comes to a stop. (See Fig. 38.)
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"Now if we examine the result of the development of these three octaves, we shall see that the first octave has reached si 12, the second la 6, and the third mi 12. Thus the first and third octaves stop at notes which are unable to pass to the following notes.
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"For the two octaves to develop further, a second conscious shock is needed at a certain point in the machine, a new conscious effort is necessary which will enable the two octaves to continue their development. The nature of this effort demands special study. From the point of view of the general work of the machine it can be said in general that this effort is connected with the emotional life, that it is a special kind of influence over one's emotions. But what this kind of influence really is, and how it has to be produced, can be explained only in connection with a general description of the work of the human factory or the human machine.
"The practice of not expressing unpleasant emotions, of not 'identifying,' of not 'considering inwardly,' is the preparation for the second effort.
"If we now take the work of the human factory as a whole, we shall be able to see at the moments when the production of fine substances is arrested by what means we can increase the productivity of the factory. We see that, under ordinary conditions and working with one mechanical 'shock' the factory produces a very small quantity of the fine substances, in fact only si 12. Working with one mechanical and one conscious 'shock' the factory now produces a much greater quantity of the fine substances. Working with two conscious 'shocks' the factory will produce a quantity of the fine substances such as, in the course of time, will completely change the character of the factory itself.
"The three-story factory represents the universe in miniature and is constructed according to the same laws and on the same plan as the whole universe.
"In order to understand the analogy between man, the human organism, and the universe, let us take the world as we did before in the form of three octaves from the Absolute to the sun, from the sun to the earth, and from the earth to the moon. Each of these three octaves lacks a semitone between fa and mi and in each octave the place of this missing semitone is taken by a certain kind of 'shock' which is created artificially at the given point. If we now begin to look for an analogy between the three-story factory and the three octaves of the universe, we ought to realize that the three 'additional shocks' in the three octaves of the universe correspond to the three kinds of food entering the human organism. The 'shock' in the lower octave corresponds to physical food; this 'shock' is do 768 of the cosmic three-story factory. The 'shock' in the middle octave corresponds to air. It is do 192 of the cosmic factory. The 'shock' in the upper octave corresponds to impressions; it is do 48 of the cosmic factory. In the inner work of this cosmic three-story factory all three kinds of food undergo the same transformation as in the human factory, on the same plan and in accordance with the same laws. A further study of the analogy between man and the universe is possible only after an exact study of the human machine and after the respective 'places' of each of the 'hydrogens' in our organism has been established exactly. This means that
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to proceed with any further study we must find the exact purpose of each 'hydrogen,' that is to say, each 'hydrogen' must be defined chemically, psychologically, physiologically, and anatomically, in other words, its functions, its place in the human organism, and, if possible, the peculiar sensations connected with it must be defined.
"The study of the work of the human organism as a chemical factory shows us three stages in the evolution of the human machine.
"The first stage refers to the work of the human organism as it has been created by nature, that is to say, to the life and functions of man number one, number two, and number three. The first octave, that is, the octave of food, develops in a normal way to mi 192. At this point it automatically receives a 'shock' from the beginning of the second octave, and its development goes on consecutively to si 12. The second octave, that is, the air octave, begins with do 192 and develops to mi 48 where it stops. The third octave, that is, the octave of impressions, begins with do 48 and stops there. Thus seven notes of the first octave, three notes of the second, and one note of the third octave represent a complete picture of the work of the 'human factory' in its first or natural stage. Nature has provided only one 'shock,' that is, the 'shock' received from the entrance of the second octave which helps mi of the first octave to pass to fa. But nature did not foresee and did not provide for the second 'shock,' that is, the 'shock' that would help the development of the third octave and thereby enable mi of the second octave to pass to fa. A man must create this 'shock' by his own personal efforts if he desires to increase the output of the fine hydrogens in his organism.
"The second stage refers to the work of the human organism when a man creates a conscious volitional 'shock' at the point do 48. In the first place this volitional 'shock' is transmitted to the second octave which develops as far as sol 12, or even further up to la 6 and so on, if the work of the organism is sufficiently intense. The same 'shock' also enables the third octave to develop, that is, the octave of impressions which in this event reaches mi 12. Thus in the second stage of the work of the human organism, we see the full development of the second octave and three notes of the third octave. The first octave has stopped at the note si 12, the third at the note mi 12. Neither of these octaves can proceed any further without a fresh 'shock.' The nature of this second 'shock' cannot be so easily described as the nature of the first volitional 'shock' at do 48. In order to understand the nature of this 'shock' it is necessary to understand the meaning of si 12 and mi 12.
"The effort which creates this 'shock' must consist in work on the emotions, in the transformation and transmutation of the emotions. This transmutation of the emotions will then help the transmutation of si 12 in the human organism. No serious growth, that is, no growth of higher
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bodies within the organism, is possible without this transmutation. The idea of this transmutation was known to many ancient teachings as well as to some comparatively recent ones, such as the alchemy of the Middle Ages. But the alchemists spoke of this transmutation in the allegorical forms of the transformation of base metals into precious ones. In reality, however, they meant the transformation of coarse 'hydrogens' into finer ones in the human organism, chiefly of the transformation of mi 12. If this transformation is attained, a man can be said to have achieved what he was striving for, and it can also be said that, until this transformation is attained, all results attained by a man can be lost because they are not fixed in him in any way; moreover, they are attained only in the spheres of thought and emotion. Real, objective results can be obtained only after the transmutation of mi 12 has begun.
"Alchemists who spoke of this transmutation began directly with it. They knew nothing, or at least they said nothing, about the nature of the first volitional 'shock.' It is upon this, however, that the whole thing depends. The second volitional 'shock' and transmutation become physically possible only after long practice on the first volitional 'shock,' which consists in self-remembering, and in observing the impressions received. On the way of the monk and on the way of the fakir work on the second 'shock' begins before work on the first 'shock,' but as mi 12 is created only as a result of the first 'shock,' work, in the absence of other material, has of necessity to be concentrated on si 12, and it very often gives quite wrong results. Right development on the fourth way must begin with the first volitional 'shock' and then pass on to the second 'shock' at mi 12.
"The third stage in the work of the human organism begins when man creates in himself a conscious second volitional 'shock' at the point mi 12, when the transformation or transmutation of these 'hydrogens' into higher 'hydrogens' begins in him. The second stage and the beginning of the third stage refer to the life and functions of man number four. A fairly considerable period of transmutation and crystallization is needed for the transition of man number four to the level of man number five.
